Larry Abramson - Wikipedia Larry Abramson - Wikipedia

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By "seeing" the ruins of 365 flirtymania Palestinian village, he criticizes the Israeli point of view which seeks to erase the Palestinian identity from the appropriated territory.

In Abramson mounted an exhibition of works under the name "The Pile" which included charcoal drawings of piles of construction debris, relating to the issue of representation of ruins in art and the figure of Jewish-German painter Felix Nussbaum.

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Awards and recognition[ edit ]. Upon his return to Israel he took a position as printer and curator of exhibitions at the Jerusalem Print Workshopwhere he worked for nine years, until This series relates to a mound of ruins near Kibbutz Tzova, a site which was painted a decade earlier by the artist Joseph Zaritsky.

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The series was composed of 38 landscape paintings oil on canvas38 impressions on newspaper of the landscape paintings, and a group of still life paintings after samples of flora taken from the site. Awards and recognition The Beatrice S.

During and Abramson created the series of work "tsooba," which was exhibited at the Kibbutz Art Gallery, Tel Aviv. InAbramson joined the teaching staff of the art department of the Bezalel Academy of Arts and Design in Jerusalem. Biography[ edit ] Larry Abramson was born in in South Africa.

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Art career[ edit ] Abramson's first solo exhibition was in During and Abramson created the series of work "tsooba," which was exhibited at the Kibbutz Art Gallery, Tel Aviv.

His work during the s dealt with a variety of iconic symbols from modernist European art, particularly the "Black Square" by Kazimir Malevich, which he used to create dynamic situations combining abstraction and a figurative art idiom.

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Inhis family immigrated to Israel and settled in Jerusalem. Art career Abramson's first solo exhibition was in His work during the s dealt with a variety of iconic symbols from modernist European art, particularly the "Black Square" by Kazimir Malevichwhich he used to create dynamic situations combining abstraction and a figurative art idiom.

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